Thursday 24 October 2013

KEATS’ “ODE  TO A NIGHTINGALE” 


1.   “My heart aches, and a drowsy numbness pains
              My sense, as though of hemlock I had   drunk…” 
Explain the occasion in which the poet experiences this kind of sensations.
Ans: As Keats listens to the song of the bird nightingale alone in the poem “Ode to a Nightingale”, he experiences euphoric ascent of joy to such an extreme degree that it ultimately leads to the feeling of pain at his heart. He compares his state of numbness to that being created by the administration of the legendary poison given to Socrates, Hemlock, which would set in rigor mortis in the human body.

2.   What is Hippocrene ? why is it blushful?                                                                                                                                  
 Ans:  Hippocrene was a spring on the Mount Helicon, the haunt of the nine Muses. It is said to have been created by the blow of the hoofs of Pegasus, the winged horse of the Sun God. The water of this fountain brought poetic inspiration.
              Keats here identifies the bright, red, sparkling wine with the water of Hippocrene because he looks upon wine as a powerful source of poetic inspiration. It is blushful because over-consumption of wine provides a blush to the checks.

3.   What is ‘Hemlock’ and ‘dull opiate’?
  Ans: ‘Hemlock is a poisonous plant which has the capacity to suspend a person’s feeling and activity. Socretes was compelled to drink it, and he died.
 ‘Dull opiate’ means a drug which contains opium and therefore induces sleep.

4.   How does the transitional thought from first stanza to the second work?
 Ans: In the first stanza the happiness of the nightingale as embodied in its song reminds the    poet, by contrast, about the finitude and pain of human life. In the second stanza the poet   tries to find intoxication through wine as a means for losing himself completely into the blissful world of the nightingale.   

5.   Who is Bacchus and why does Keats refer to him ?

 Ans: According to Roman mythology Bacchus is the Roman god of wine who is traditionally shown in chariot drawn by leopards. Previously the poet had expressed his wish to fly away to the world of the nightingale with the help of alcohol. But now he resolves to take recourse to poetic imagination to go there.

6.   “To thy high requiem become a sod”---How does ‘high requiem’ become a sod?
Ans: ‘Requiem’ means a song of mourning while sod means the surface of the ground. Here it means grave. Even after the death of the poet, the nightingale would still continue to pour forth his song as a lament to his death. But in grave being as insensible as a clod of earth he would not be able to listen to it.

7.   Who is Dryad ? Why is the nightingale called ‘light winged Dryad’?

Ans: Dryad is generally believed to be a wood nymph and an embodiment of the wild spirits inhabiting the forest. Keats thinks that the wings of the nightingale are not weighed down by the heavy burden of life, and so it can flit from one tree to another like a Dryad. So Keats calls the nightingale ‘light winged Dryad’.

8.   “One minute past, and Lethe-wards had sunk” What is Lethe? Who has sunk Lethe-wards and why?
Ans: Lethe is the river of forgetfulness in the lower world. Here poet Keats under the soothing effect of the nightingale’s song feels like one who has drunk the water of the river of forgetfulness and has become oblivious of the sorrows and suffering of the mundane world.
9.   “Tis not through envy of thy happy lot”—Why does Keats say so?

Ans: In the poem “Ode to a Nightingale” Keats confesses that he feels the pain of joy and sense of numbness not because of the jealousy of the better fate of the bird, but because the rapturous music of the nightingale’s song has produced an excessive joy in his heart.

10.   What does the poet mean by “shadow numberless”?

Ans: The phrase refers to the innumerable shadows created as the moon light pierces through the dense mass of leaves. Though the first two stanzas do not clearly establish the fact that the time is night, it is indeed so. Moreover the interplay of light and shade does not allow the poet to trace the exact location of the bird.
















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